"Notes sur la formation des collections de Louis XIV". * Nolhac, Pierre de (1930). Among the masters displayed in the room were the works from the Italian schools by Correggio, Raphael, Giorgione, Giulio Romano and Titian. Paris: Louis Conard. The salon des pendules (1740 plan #3) (also called the salon ovale due to its elliptic shape) was given this name due to the dials arranged in the apsidal recess of the eastern wall that showed the times of the rising and setting of the sun and the moon (Verlet 1985, p. 450). Louis XV. The decoration of the salle à manger des retours de chasses incorporated paneling and decorative elements from the salon du billard of Louis XIV (Verlet 1985, p. 442-443). In 1738, Louis XV ordered a new bedroom – chambre de Louis XV (1740 plan #4) – constructed on the site of Louis XIV's salle du billard, which was enlarged to the north into the cour du roi to accommodate an alcove for the bed (Verlet 1985, p. 444-447). L'Antichambre des chiens et la Salle à manger des Retours de chasse. * Le Guillou, Jean-Claude (February 1976). Dictionnaire du Grand Siècle. In 1684, as the influence of Louis’ mistress – Françoise-Athénaïs, marquise de Montespan – waned due to her alleged involvement in the Affair of the Poisons, the king attached her rooms to his petit appartement after the marquise moved into the appartement des bains on the ground floor of the palace (Le Guillou, 1986; Verlet 1985, pp. Paris: Draeger et Veive. Grâce à un mécénat de la Société des amis de Versailles, un nouveau circuit de visite dévoile les « petits appartements » ... Cette antichambre donne sur la Salle à manger des retours de chasse où Louis XV aimait à prendre une collation rapide. At this time, the rooms were transformed and their decoration represent some of the finest extant examples of the style Louis XV and style Louis XVI at Versailles (Kimball, 1943). The small room north and behind the pièce de la vaisselle d'or is the cabinet de la cassette du roi (1789 plan #10). Il en est ainsi du Cabinet des chiens, la Salle à manger des retours de chasse, le Cabinet de la pendule, la Chambre privée, le Cabinet intérieur ou Cabinet d'angle, le Cabinet des dépêches, la Bibliothèque de Louis XVI, la Salle à manger des porcelaines et l'Opéra inauguré en 1770 à … [5] On account of this clock, the room received the definitive name, salon de la pendule (1760 plan #2) (Kuraszewski, 1976; Verlet 1985, p. 450). In the years that preceded the War of the League of Augsburg, Louis XIV engaged in an aggressive collecting campaign that necessitated his expanding space at Versailles to display newly acquired works of art (Verlet 1985, p. 229). Il y mourut le 10 mai 1774 à une heure de l’après-midi. * Félibien, Jean-François (1703). The salon du degré du roi (1693 plan #2) occupies the site of a staircase dating from the time of Louis XIII. Classé depuis 30 ans au patrimoine mondial de l’humanité, le château de Versailles constitue l’une des plus belles réalisations de l’art français au XVIIe siècle. * Dangeau, marquis de (1854). 28-49. With the destruction of the escalier des ambassadeurs in 1752 and the subsequent construction of the apartment for Madame Adélaïde, the cabinet des médailles of Louis XIV was completely transformed into an antichambre for Madame Adélaïde. Emmanuel-Henri de Grouchy and Paul Cottin. Réservation obligatoire. 17, n.s., 2: 146–166. Mémoires du marquis de Sourches sur le règne de Louis XIV. 113: 79–104. The most significant alteration for this era was the relocation of the degré du roi from the exterior cour de marbre to the interior cour du roi. Son fils met les bouchées (foncières) doubles : à la fin de son règne, dans les années 1710, le parc de chasse de Versailles seul, qui ne comprend ni le château, ni le " petit parc " qui enserre les jardins de Lenôtre, représente quelque 60 km2 clos par un mur de 43 km ! Of the rooms of the appartement du roi, the salon des pendules is one of the most significant. eds. * Luynes, Charles-Philippe d'Albert, duc de (1860–1865). volume 3. This era during which Louis XV decorated the petit appartement du roi was significant in the evolution of French decorative styles of the 18th century. 12 janv. These rooms, along with cabinet des médailles formed the main rooms of the Louis XIV's cabinets de curiosités. La salle à manger des Retours de chasse et l’antichambre des Chiens, la pièce des Bains du Roi et son passage particulier, le Cabinet doré ainsi que la Garde-robe de Louis XVI, toutes ces pièces ont été restaurées au cours de ces dernières années. In suppressing the cabinet des livres and the salon ovale of Louis XIV, Louis XV created a private room (with a small cabinet de la chaise) that communicated directly with the degré du roi in which he conducted much of the day-to-day governance of France. * Cosnac, Gabriel-Jules, comte de (1984). Chantilly, France Ce tableau fut commandé en 1735 par le roi Louis XV pour la salle à manger des Petits Appartements du château de Versailles, dite des retours de chasse, d’où l’absence de femmes. Paris: Imprimerie Nationale. Located on the first floor on the northern side of the cour de marbre, the petit appartement du roi comprised nine rooms: The salle du billiard (1693 plan #1) contained a billiard table, a game at which Louis XIV was adept. * Petitfils, Jean-Christian (1995). * Verlet, Pierre (1985). In 1755, the cabinetmaker Gilles Joubert delivered two corner cabinets, complementing those by Antoine-Robert Gaudreau, which had been delivered in 1739, to house numismatic record of Louis XV's reign (Verlet 1985, p. 452). "La création des cabinets et des petits appartements de Louis XV au château de Versailles 1722-1738". The salle à manger aux salles neuves, salle du billiard and the cabinet des jeux were used for the intimate dinner parties given by Louis XVI and Marie-Antoinette for their friends and selected members of the royal family. Under Louis XIV, these rooms housed the king's collections of artworks and books, forming a museum of sorts. Dating from 1775, the room was redecorated in 1785 during the construction of a theater next to the salon d’Hercule, Louis XVI decided to remodel this room as a game room (Verlet 1985, p. 528). "Remarques sur le corps central du château de Versailles à partir du château de Louis XIII". In the petite galerie and its two salons, Louis XIV displayed many of the most valued paintings in his collection. Taking 12 years to complete, the clock is surmounted by a crystal sphere in which a mechanical armillary sphere – after the Copernic model – operated. These rooms were created when the salon du degré du roi and the cabinet aux tableaux of Louis XIV were destroyed (Le Guillou, 1985). As with his great-grandfather in his cabinet des chiens, Louis XV kept some of his hunting dogs in this room. However, owing to the discomfort of the room in winter – its size and eastern exposure made it difficult, if not impossible, to heat – Louis XV was compelled to establish his bedroom elsewhere (Verlet 313-314). Gazette des Beaux-Arts. * France d'Hézecques, Félix comte de (1873). 1. In addition to some of the most highly prized paintings of the royal collection, the salon ovale housed in four niches four bronze sculptural groups – “Jupiter” and “Juno” by Allesandro Algardi; the “Abduction of Orethyia” after the marble by Gaspard Marsy, and the “Abduction of Persephone” by François Girardon – that were esteemed as some of the finest of this genre in the king's collection. Escalier d'Épernon. 17 volumes. 2016 - Recréation du lit de Louis XVI et restitution de l'alcôve - Page 24 Conservateur en chef au musée national des châteaux de Versailles et de Trianon ] Fig. Tout comme du côté de la reine, pour créer un appartement de nuit à l’usage du duc de Bourgogne, un bâtiment nouveau fut élevé dans la cour du roi, mais ici uniquement pour la commodité de son service : «le Roy a réglé de faire cette année le Batiment neuf dans la petite cour pour la jonction des petits appartements avec les Grands apparte¬, ments, conformément au dessin qu'il a approuvé... Cette construction, jetée comme un pont entre les deux châteaux, comprenait au rez-de-chaus¬ sée un passage ouvert voûté à arcades avec, au-dessus, contre le Degré du Roi, une chambre affec¬ tée aux garçons du château, et du côté du Salon de Mercure, une seconde chambre destinée aux suisses du Grand Appartement, chacune avec leur dégagement2 (fig. Fig. Louis XV fait régulièrement la revue de ses troupes à Versailles, sur la place d’Armes, au son des tambours. * Marie, Alfred and Jeanne (1984). "Pendules et barometres royaux". * Monicart, Jean-Baptiste de (1720). * Bluche, François (1991). * Saule, Béatrix (October 1992). Upon the return of Louis XV and the court to Versailles, there had been a systematic rearrangement of the collections of Louis XIV that had been housed in the petite appartement du roi, particularly the items kept in the Louis XIV's cabinet des médailles. Les Amis de Versailles et l'enrichissement des Collections [2e partie], Par Pierre Arizzoli-Clémentel, Les acquisitions de l'année 1998, Par Pierre Arizzoli-Clémentel, Nouvelles acquisitions : deux vases de Sèvres de la Grande Chambre du Roi, L'antichambre et la salle à manger des retours de chasse… La pièce des buffets est une salle du château de Versailles, en France, utilisée pour le service des salles à manger et le rangement de la vaisselle. The cabinet des coquilles originally housed some a portion of the king's gem collection. The bibliothèque de Louis XVI (1789 plan #11) located directly east of the pièce de la vaisselle d'or occupies the space that was the chambre de Madame Adélaïde (which Louis XV rechristened salon d’assemblée in 1769) and previously the petite galerie. This room was converted into a bathroom for Louis XV around 1769. Paris : E. Flammarion. Beginning in 1678, Louis XIV began to modify these rooms for his particular private needs. 1998 - Château de Versailles : Restauration des décors du Cabinet des dépêches // In what room can we find this golden…” 108: 7–22. The time, days of the week, months of the year (even calculating for bissextile years), and year were accurately displayed. C’est à cet emplacement que l’on décida, au retour de la Cour à Versailles, d’im¬ planter les bains de Louis XV ; ils devaient y rester, Versalia. #3: 175–183. After the return of the king and court to Versailles in 1722, life assumed a rhythm similar to that under Louis XIV. * Kimball, Fiske (1943). Paris: Arthème Fayard. * Bluche, François (2000). The room located just to the east of the bibliothèque de Louis XVI is the salle à manger aux salles neuves (1789 plan #12). La pièce a surtout été utilisée par Louis XVI et à Marie-Antoinette pour leurs repas dits « de société », un nouveau type de souper à mi‑chemin entre les grands couverts officiels et les repas « en particulier ». The petite galerie also housed the collection of gifts Louis XIV received from foreign embassies; most notable among these diplomatic offerings were the gifts from the Chinese Jesuit, Shen Fu-Tsung (1684), which included an enormous pearl, and the gifts from the Siamese Embassy of 1685-1686 (Josephson, 1926). * Saule, Béatrix (December 2005). Mémoires sur la cour de Louis XV (1735-1758). The most significant modifications to the petit apartment du roi at this time were the relocation of the degré du roi (1760 plan #4), the construction of the salle à manger des retours de chasses (1750) (1760 plan #5), and the pièce des buffets (1754) (1760 plan #6) (Verlet 1985, p. 473-474). By 1740, the petit appartement du roi had expanded to such an extent into the cour du roi that the eastern part of this courtyard became a separate courtyard. With the evolution of the cabinet intérieur, Louis XV also pursued the construction of his arrière cabinet (1760 plan #8). Located on the first floor of the palace, the rooms are found in the oldest part of the palace dating from the reign of Louis XIII. "Unknown Versailles: The appartement du Roi, 1678-1701". 1 77-78; Verlet 1985, p. 232). This new apartment occupied space that had been the petite galerie and the two salons as well as new space created by the suppression of the escalier des ambassadeurs (1760 plan #9). Colloque de Versailles. Paris: Perrin. * Croÿ-Solre, Emmanuel de (1906–1921). Paris: Florentin de la lune. Châteaux et palais. In contrast to the grand appartement du roi and the appartement du roi, which were open to members of the court and the general public, the petit appartement du roi was only accessible though the personal consent of the king (Bluche, 1991). With the exception of reclaiming part of the apartment of Madame Adélaïde, Louis XVI chose to retain the décor of the petit appartement du roi as his grandfather had left it. With paneling by Jacques Verberckt, the room was furnished with chairs and table and served for gaming parties hosted by Louis XV (Verlet 1985, p. 449). Paris : Firmin-Didot frères.CS1 maint: multiple names: authors list (link). The pièce des buffets or salle du billiard (1789 plan #13) occupies area that had once been the landing of the escalier des ambassadeurs. The decoration of this room was given over almost exclusively to paintings by Nicolas Poussin (Félibien, 66; Piganiole de la Force, 126). Bulletin de la Société d'Histoire de l'Art français: 124–134. La salle à manger des porcelaines a été créée sous Louis XV pour ses soupers de retours de chasse. volume 1. Mansart à Versailles. Appartement de Louis XIV. Paris: Firmin Didot Frères. Eighteenth Century Life. Louis XIV. This room represents not only the personal taste of Louis XVI it also stands as one of the finest examples of the style Louis XVI decorative style. "Relation de la visite de Nicodème Tessin à Marly, Versailles, Rueil, et St-Cloud en 1687". 6 pér., vol. In January of that year, Louis XV had brought from the château de Choisy and placed in this room the famed mechanical clock. The cabinet intérieur (1740 plan #4) served a number of purposes: it housed part of Louis XV numismatic collection and collection of miniature paintings; it served as a dining room; and, it served as a workroom. A new room was constructed on the site formerly occupied by the degré du roi of Louis XIV, the antichambre des chiens (Verlet 1985, p. 442). Description sommaire de Versailles ancienne et nouvelle. 25 nov. 2020 - Explorez le tableau « boiseries » de Jérôme Pi, auquel 139 utilisateurs de Pinterest sont abonnés. Louis XVI. Under Louis XV and Louis XVI, the rooms were modified to accommodate private living quarters. .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}* Blondel, Jacques-François (1752–1756). * Rogister, John M. J (May 1993). The premier salon de la petite galerie is of particular importance as it was in this room that Louis XIV kept the painting described by Piganiole de la Force as “Le Portrait de Vie, femme d’un Florentin nommé Giaconde,” better known in English as The Mona Lisa (Piganiole de la Force, 137). * Lighthart, Edward (1997). Paris: Didier. The pièce de la vaisselle d'or (1789 plan #9) – originally the premier salon de la petite galerie – formed part of the appartement de Madame Adélaïde. Gazette des Beaux-Arts. The cabinet aux tableaux (1693 plan #4) with its southern exposure served as a Pinacotheca for part of Louis XIV's collection of paintings. * Petitfils, Jean-Christian (2005). Paris: Perrin. The young Louis XV occupied his great-grandfather's bedroom, the chambre de Louis XIV, where the ceremonies of the daily lever and coucher were executed with the same exacting precision as during the reign of the Sun King. Louis XIV. The room was also known as the salle des porcelains on account of the annual display of the production of the Sèvres factory that was arranged in this room during Christmas (Baulez, 1976). Journal avec les additions inedites du duc de Saint-Simon. The collection was either reorganized in other rooms of the petit appartement du roi or sent to the bibliothèque du roi in Paris. L’ancien pavillon de chasse de Louis XIII fut transformé et agrandi par son fils Louis XIV qui y installa sa Cour et son gouvernement en 1682. This new name was due to the two dozen sculpted deer heads that Louis XV ordered placed on the walls of the courtyard (Verlet 1985, p. 457). The paneling by Jacques Verberckt dates from the 1769 redecoration of Louis XV and the present blue upholstery, draperies, and hunting scenes by Jean-Baptiste Oudry date from 1774 when Louis XVI redecorated the room (Baulez, 1976; Verlet 1985, p. 527). * Combes, sieur de (1681). Taking its name from the 12 cabinets in which Louis XIV's numismatic collections were kept, the cabinet des medailles also housed the king's collections of miniatures by Flemish, Dutch, and German masters, objects of carved porphyry and carved jade, as well as those rare items made of silver or gold (Verlet 1985, p. 230-232).

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